Marion Jones Vogue article:

It's a sunny lunch hour the day after Halloween in the middle of a typically crowded Times Square, and Marion Jones, the winner of five Olympic medals and the fastest woman alive, is posing for a publicity photo with the fastest man on wheels, Gil de Ferran, the CART-racing champion of the world. The whole thing has taken maybe three minutes, and then suddenly, all hell breaks loose.

"Whassup, Marion! Whassup!" a guy with an Italian accent is shouting out the window of a taxi that has stopped dead in traffic. Two guys unloading a van start jumping up and down and running in place, going crazy: "Marion Jones! Oh! Oh! Marion Jones is in the house! Marion!"

She is track star as pop star, a development that has made all of her sponsors-from AT&T and TAG Heuer to Nike-extremely happy. "To us, she represents the total package," says Nike communications manager Dave Mingey. "She can talk easily with Nelson Mandela, then 10 seconds later chat with a little girl about a doll."

She's not a glamour girl in the mode of the late, great Flo-Jo; Jones' appeal lies in her awesome self-possession. Favoring "dark colors," she wore a brown suede shirt, loose beige reptile slacks, brown oxfords and a black jacket from the J.Jill catalog for Rosie O'Donnell; for Dave Letterman, she had donned a gray flannel skirt. Her flash-in the form of shimmering chrome-paneled Nikes-as well as her fierceness is reserved for the track.

Jones can run very, very fast. In October, at 24, Jones became the first woman in track-and-field history to win five medals-three golds and two bronzes-at a single Olympic Games. She ran the 100 meters in 10.75 seconds, the fastest time of any woman in history except Flo-Jo. Jones won the 100 by the largest margin since 1952, and the 200 by the largest margin (13 feet) since 1960-feats that required not double- but triple-page magazine spreads to show the stunning gap between her and the other runners. When she ran the third leg of the 4-by-400 relay, her competitors did not even try to stay with her. "I knew if I went out that fast, I would die at the end," said Jamaica's Deon Hemmings. "All I saw," said Great Britain's Allison Curbishley, "was the back of her head."

Jones has known she would get to this moment for a long time, and there has never been any question of whether she would be up to it. In 1984, when Jones was 8 and the Olympics were in her hometown of Los Angeles, she returned from the opening ceremony with her family, went to her room, and wrote on her blackboard, "I WILL BE AN OLYMPIC CHAMPION." Not long afterward, she watched Jackie Joyner-Kersee on TV and thought, Gosh, she looks like me, a woman and an athlete who loves what she does. I wanted to be like her.

What makes Jones the achiever she is, she says, is 50 percent talent and 50 percent just wanting it so badly. "I'm very motivated," she says. "I'm a sore loser. Therefore I train harder than I think anybody else in the world in my sport."

She is amused when people ask her how it feels "truly, truly down in your soul when you're running." She flashes the deceptively girlish grin. "I tell them that you know, we go over technique so much in practice that when you get out there it just happens automatically. You're not really thinking about anything." Except, she says, one thing: "I want to be the first one to that line."

Jones is slowly getting conditioned again for 2004, where she'll try to meet the goals she set so long ago. Prior to the last Olympics, she said, "Before my career is over, I will attempt to run faster than any woman has ever run and jump farther than any woman has ever jumped." She wants to win her five golds; she wants to eclipse Flo-Jo and Joyner-Kersee in the record books; she wants the option of going on to a glorious career in the WNBA. She wants nothing less than to be included, she says, in the same sentence as Ali or Jordan. There are few who don't believe that will happen. "I'll say this," says Dennis Craddock, who coached Jones in track at UNC. "You don't put limits on what Marion Jones can do. In anything. Period."

-"Hail Marion," by Julia Reed, has been edited for STYLE.com; the complete article appears in the January 2001 issue of Vogue.

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